Caractéristiques de l'objet
-
État
-
Neuf sans étiquettes
-
Commentaires du vendeur
-
“Vintage (mint condition)”
-
Brand
-
Sastreria Santana (Spain)
-
Pattern
-
Pinstripe
-
Size Type
-
Regular
-
Department
-
Women
-
Type
-
Blazer
-
Size
-
S
-
Color
-
Brown
-
Style
-
Civic
-
Theme
-
90s
-
MPN
-
Johnstons Of Elgin, Pringle Of Scotland, Brunello Cucinelli, Drumohr, Sablyn, Ede & Ravenscroft, Scabal, Dormeuil, Tom Ford, Richard James, Sartorio Napoli, Canali, Isaia, Boglioli, Massimo Piombo, Borrelli, Paul Stuart, Brooks Brothers, Hackett London, Savile Row Co., Loro Piana, Kiton, Barena Venezia, Stefano Ricci, Belvest, Ambrosi Napoli, Ring Jacket, The Armoury, Sartoria Vestrucci, Ralph Lauren Blue Label, Domenico Vacca, Marinella, P. Johnson, Vincenzo Di Ruggiero, Dries Van Noten, Ermenegildo Zegna, BOSS, Lanificio Cerruti, Marling & Evans, Vitale Barberis Canonico, Reda Mill
-
Vintage
-
Yes
Description de l'objet fournie par le vendeur
Neuf sans étiquettes
SUNDAZED & OUTSIDE SOCIETY
Sastrería Santana, rooted in Alicante’s tailoring tradition, exemplifies the discreet mastery of Iberian suiting with this blazer—a single-breasted, two-button piece rendered in a pinstriped hopsack weave that straddles the divide between Mediterranean elegance and Anglo-Italian structural clarity. The silhouette is masculine yet understated, signaling not flamboyance but a deeply regional sartorial ethos where ease, climate responsiveness, and technical precision converge. While the brand remains relatively obscure on the global luxury stage, its positioning among Spain’s regional tailoring houses—akin to Lander Urquijo and ateliers along Gran Vía or Valencia’s civil circuits—places it firmly within a legacy of dignified, unpretentious craftsmanship. Serving a clientele that privileges cut and cloth over spectacle, Santana represents the refined pragmatism of Spanish suiting: civic-minded, subtly expressive, and deliberately restrained. The blazer’s formal typology situates it as a transitional garment for fall-winter, appropriate for professional or formal-casual environments. The soft yet structured profile, combined with traditional elements such as flap hip pockets, a welted chest pocket, and a medium-width notch lapel, signals its utility in both urban tailoring and indoor-outdoor wearability. Its conservative two-button stance and moderate shoulder pitch mark a departure from contemporary extremes, favoring proportional balance rooted in late-20th-century Mediterranean tailoring. Construction-wise, the blazer employs a half-canvas internal structure with visible pad-stitched lapels and reinforced machine-sewn armholes, affirming mid- to high-grade tailoring intent. The presence of shoulder pad starburst stitchwork and hand-set internal details, including basted canvas shaping in the chest and internal welt pockets with contrast pick-stitching, attests to traditional suiting techniques executed within a semi-industrial atelier setting. The sleeve insertion is handled with minimal sleeve cap fullness, relying on eased sleeveheads and likely a light roll to stabilize the crown, yielding clean shoulder lines and a controlled drape. Faux surgeon cuffs with stacked buttons—non-functional but visually articulated—point to mid-range production, typical of small-batch tailoring houses. Pattern architecture is traditional, with a six-panel front and four-panel back, relying on princess seams and dart manipulation for waist suppression and shoulder articulation. The blazer avoids side vents in favor of continuous back shaping, aligning with Mediterranean tailoring houses’ preference for uninterrupted form and sleekness. The lapel roll and gorge are conservative, and collar understructure is likely melton, subtly roll-stitched for shape retention. Functional clarity extends to the pocket configuration, with the chest dart subtly flowing into the pocket bag, preserving vertical integrity. Internal bagging of the rayon lining is cleanly executed, with button-secured welt interiors and reinforced facings, ensuring longevity and structural cohesion across wear cycles. The textile—a high-twist wool hopsack weave—achieves a refined duality: tactile breathability balanced with tailored discipline. Its surface grid, possibly a 2x2 or 3x2 basket configuration, is tightly controlled, countering the natural ravel of open-weave hopsacks with meticulous fusing and reinforced edge treatment. The yarn interplay—a cool grey weft intersecting with a warmer brown warp—produces a restrained tonal pinstripe, granting visual depth without overt contrast. The hand is dry and crisp, likely a wool-polyester blend or wool-viscose engineered for wrinkle resistance, airflow, and dimensional retention, aligning with the blazer’s seasonal and regional context. Pattern matching across lapel, shoulder, and pocket seams is executed with precision, preserving vertical rhythm and pinstripe continuity—hallmarks of advanced pattern planning. Textile comparatives align this hopsack with English summer suiting traditions and Neapolitan basket weaves, drawing from the breathability and visual complexity of mock leno and tropical wools. Its vertical stripe rhythm mimics traditional pinstripe suiting while bypassing yarn-dye contrast in favor of textural modulation. Textile mills capable of producing such weaves include Vitale Barberis Canonico, Reda, Lanificio Cerruti, and Marling & Evans—each known for high-twist structured cloths with tonal variance and superior tailoring performance. The fabric’s hybrid profile—equal parts structure and fluidity—makes it ideal for Mediterranean climates, balancing comfort with professional decorum. Detailing remains function-first, devoid of flamboyant topstitching or decorative seams. Buttonholes are machine-bound with precise tension calibration; buttons are cross-stitched with shank spacers, securing ergonomic buttoning without visual bulk. Hem finishing is blind-stitched, and interior seams are neatly concealed beneath the full lining, indicating consistent pressing discipline and seam allowance regulation. The neckline is cleanly fused and reinforced, while cuffs feature three kissing buttons—functional in appearance, non-operational by intent. Psychologically, the blazer projects restraint, credibility, and generational stability. It does not demand attention but communicates authority through nuance and precision. In Iberian contexts, such garments represent more than formality—they’re artifacts of civic dignity, often worn in municipal, legal, or academic settings where professionalism must be signaled without ostentation. Aesthetically, the blazer reflects the post-Franco visual vernacular: tonal restraint, material intelligence, and architectural clarity without ideological aggression. Its visual language aligns with minimalist Mediterranean tailoring and functional modernism, where structure, rhythm, and silence converge. The blazer’s likely production window—late 1990s to mid-2000s—is affirmed by its lapel stance, conservative silhouette, and internal finishing techniques consistent with Spanish mills of the era. It emerges from a post-1980s recalibration, where power suiting gave way to minimalist refinement. Though its silhouette eschews current trend-driven exaggerations (e.g., extended shoulders or oversized bodies), its timeless proportions and considered fabric engineering ensure sustained viability within the classic menswear market. Contemporary fashion relevance is measured not by novelty, but by enduring utility and design restraint. This blazer embodies both. It does not aspire to avant-garde positioning but excels in the understated craftsmanship sought by professionals, heritage collectors, and those attuned to quiet luxury. In today’s fragmented market, it would perform well in slow fashion retail environments, curated secondhand platforms, or as a reference in made-to-measure programs. Technically robust and aesthetically exact, the blazer exemplifies the enduring power of regional tailoring executed with fidelity, offering sartorial continuity in an era increasingly shaped by ephemeral spectacle.
The blazer, crafted from a finely textured pinstripe hopsack weave, effortlessly embodies the principles of understated luxury and sartorial precision, merging Italian tailoring finesse with British heritage. The choice of hopsack, with its breathable, slightly coarse texture, makes the garment both visually compelling and functionally versatile—a defining trait of luxury houses like Sartorio Napoli, Canali, and Ermenegildo Zegna, where fabric and construction are paramount. Zegna’s dedication to high-performance textiles and precision tailoring mirrors the blazer’s ability to retain form while ensuring comfort, underscoring its robust elegance. The pinstripe pattern, with its subtle elongation, introduces quiet refinement that resonates with the sophisticated restraint of Pringle of Scotland and Johnstons of Elgin, and finds further harmony with the sharp, modern aesthetic of BOSS and Canali, whose clean lines and classic tailoring provide a timeless, authoritative silhouette. Texturally, the hopsack weave’s tactile richness and structured drape reflect Brunello Cucinelli’s and Loro Piana’s shared philosophy of using luxurious, breathable natural fibers to bridge formality with comfort. Loro Piana’s mastery of exquisite fabrics elevates the blazer’s material integrity, while Cucinelli’s emphasis on artisanal craftsmanship enhances its enduring appeal. The deep tourmaline hue—a muted greenish-brown—adds to its adaptability, echoing Isaia’s and Massimo Piombo’s tendency toward refined, unconventional palettes. Meanwhile, the minimalistic approach, with little reliance on ornamentation, aligns with the ethos of Belvest and Barena Venezia, where fabric and fit are the focal points. Architecturally, the blazer favors clean, sharp lines, with structured shoulders, subtle darting, and a double-button closure—design elements consistent with the precision and formal elegance of Sartorio Napoli, Boglioli, and Scabal. Its slightly padded shoulders and high armholes reflect the modern Savile Row tailoring of Richard James, emphasizing movement, athletic cuts, and versatility. This blend of British structure and Italian ease echoes the tailored duality seen in Drumohr’s textured weaves, which unite English craftsmanship with Mediterranean sensibilities. The garment’s balanced design and classic pinstripe also align with Dries Van Noten’s refined eclecticism, where traditional patterns are recontextualized through modern silhouettes, introducing subtle avant-garde energy. Adding dimension to the piece is the influence of ATP Atelier’s and Vagabond’s anatomical tailoring sensibilities, offering proportioned comfort within a sculpted form. Officine Creative and Reike Nen lend textural and tonal parallels, reinforcing the garment’s quiet strength. Finally, Kiton’s hallmark of hand-tailored precision and bespoke quality elevates the blazer into the realm of modern luxury—a piece crafted not just for appearance, but for enduring performance and distinction. Kiton’s emphasis on impeccable fit and construction parallels the blazer’s refined contour and high-level finishing. In conclusion, the fusion of structured construction, breathable luxury fabric, and subtle pinstriping positions this blazer as a definitive expression of contemporary tailoring. With its roots in heritage craftsmanship and a forward-looking sensibility, it becomes a versatile and timeless investment—equally suited to formal occasions and everyday refinement. The selected brands—Loro Piana, Brunello Cucinelli, Zegna, Canali, Kiton, Richard James, and Dries Van Noten—underscore its dual legacy of tradition and innovation, making it an exemplar of modern sartorial excellence.
Measurements (cm):
Chest: 44
Length: 66
Shoulder: 39
Sleeve: 59
Size Conversion (approximate)
US Women’s Size: S-M
EU Women’s Size: 36-38
SKU: 002463